Saturday, 16 May 2009

Chris Hemsworth Cast As Thor

Relatively unknown Chris Hemsworth (Star Trek) has been cast as the title character in Thor, which is slated for a June 2011 release, and additionally in Marvel's 2012 movie The Avengers

Frequent Australian visitors to this blog, of which there are none, will recognize Hemsworth predominantly from his work on Home & Away, a soap opera in which he appeared in just over 170 episodes. Other visitors may just recognize Hemsworth from his role in J.J. Abrams' Star Trek, in which he played George Kirk, drawing scorn from many critics in the process.

Is this a good choice?

'The Orphanage' Director & Screenwriter To Return

A Variety article reports that The Orphanage director Juan Antonio Bayona and screenwriter Sergio Sanchez will team up once again for what looks likely to be Bayona's second film. Scheduled to shoot in the spring of 2010, a first-draft screenplay will be presented at this month's Cannes Film Festival. One of the film's producers describes the film as a "powerful story, based on true facts, which poses large technical challenges."

Bayona, previously linked with the third Twilight film, is also still attached to direct the big screen version of David Moody's novel Hater, which is set to be produced by Guillermo Del Toro and Mark Johnson.

Scott Pilgrim Vs. The World - Video Blog #5

The fifth video blog for the upcoming big-screen adaptation of Scott Pilgrim Vs. The World is now online. Director Edgar Wright (Shaun of the Dead, Hot Fuzz) talks about how faithful the transition between page to screen will be, while the author/creator of Scott Pilgrim, Bryan Lee O'Malley, looks at some of the real world locations that were featured in the books.



If you've missed out on any of the previous four video blogs, then you can find them all over at the official movie site.

Monday, 4 May 2009

X-Men Origins: Wolverine: A Review

It is without question that Batman Begins and more so The Dark Knight have changed the way in which comic books are brought to the big screen. Gritty and dark in tone, the reverberations that they have created in the industry are only now beginning to seep down the chain, as we can see here with the completely unnecessary re-telling of Wolverine's origin story. Already told in a series of flashbacks and cuts throughout the original X-Men movie, Origins: Wolverine aims to expand on this in a story riddled with ridiculous plot-holes and dumbassery.

We're introduced to our main characters, Hugh Jackman's Wolverine and Liev Schreiber's Sabertooth as children in 1845. A quick death which we're not given enough time to care about later and we're in the rather fantastic opening credit montage, which sees the two fight their way through history's major wars, beginning with the American Civil War and ending in Vietnam. Very reminiscent of Watchmen's excellent opening credits. It's never explained why either character ages from childhood and then conveniently stops when they reach their 'Hugh Jackman' and 'Liev Schreiber' years, but who are we to dwell on points such as this?

The movie plods along at an acceptable pace, but thanks to a barebones plot with a myriad of holes, you find yourself wondering if the writers ever actually watched the other X-Men movies that they should have been working in conjunction with. Schreiber's cunning and cerebral turn as Sabertooth makes you wonder how we accepted the freakishly strong and freakishly stupid version that we were given in the X-Men trilogy? What happened to him between the events in this movie and the first X-Men movie that turned him into such a brutish idiot?

Once we brush aside all of this, not even the action segments and the CGI are up to carrying the film across a finish line that we can deem as acceptable. Considering the hammering that internet bloggers gave a leaked work print of the film in terms of CGI, you'd expect that the finished product would be something to shout about. If anything, it's the complete opposite. One scene in particular, in which Wolverine plays with his new adamantium claws in front of a mirror looks glaringly false.

X-Men Origins: Wolverine is saved by a handful of performances by actors doing the best with what they're given. Jackman is reliable in his role as always and Schreiber is a great fit for the character of Sabertooth. Glimpses of Ryan Reynolds' Deadpool show bundles of promise, but whether the character will go anywhere is questionable given the events of this film. Not quite the train-wreck of X-Men: The Last Stand, but a needless and poorly-told tale of events nonetheless. 

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